2017 Reading Challenge: A Book Set Somewhere You’ve Never Been But Would Like to Visit

As I work my way through the Year of Fun Reading I am finding it a bit tricky to keep my focus on finding a book that meets the category for the month as well as keeping to my own standard of that book being one in the speculative fiction genre.

This month, in which I was to read a book set somewhere you’ve never been but would like to visit, was particularly challenging. I mean, I suppose there are lots of fantasy worlds I would love to visit–Narnia, Middle Earth, or The Land (Chronicles of Thomas Covenant the Unbeliever) spring to mind– but I wanted to keep the spirit of the challenge, which meant finding a speculative fiction novel set on Earth.

So. I browsed through some of the suggested titles, and, eureka, found one I thought would fit.

Daughter of Smoke and Bone (Daughter of Smoke and Bone Trilogy, Book 1), by Liani Taylor, is  an urban fantasy, set in modern-day Prague. So, seeing as anywhere in Europe is on my bucket list of places to visit, I figured this one might just work. And I love urban fantasy, so, bonus.

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Cool cover!

Karou is seventeen and attends school at the Art Lyceum of Bohemia, a private school for students of the arts. She has blue hair and interesting tattoos, and a secret: she has been raised by  half-human creatures called chimaera, the chief of which is a demonic looking being named Brimstone.

Brimstone is the Wishmonger, who barters teeth for wishes. He is her adopted father, who has raised Karou since she was a baby. Her origins are shrouded in mystery, and she longs to discover who she is and how she is connected to the chimaera.

Brimstone’s workshop is in another place, separate from Earth, which she accesses by going through a door that is opened to her from the inside, by the Gatekeeper, Issa, who is half-snake. These portals are all around the world, and Karou uses them when Brimstone sends her on errands to collect teeth from various traders and dealers.

Karou isn’t exactly sure what the connection is between the teeth and the magical crafting of wishes, which Brimstone makes into beads of various size, shape and power, but her questions are left unanswered, as do the ones about her own origins.

An encounter with the seraph Akiva in the streets of Morocco starts a chain of events that leads Karou to the answers she seeks, even though they are not necessarily the answers she wants to hear…

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I am always amazed at fan art. This picture of Karou and Brimstone was done by the talented Natalie Braconnot, on Tumblr.

Taylor is a New York Times bestselling author, with many books to her credit. This book (published 2011) is the first of a trilogy, all of which are available now. Her new book, Strange the Dreamer, which begins a new series, has just been released.

I will admit to feeling a bit conflicted about Daughter of Smoke and Bone. Taylor writes well, and the plot had enough twists and turns to keep me reading.

However….although I can see that this book would be very popular with a certain audience, I can’t say I loved it. Here’s why:

  1. It’s Young Adult. I didn’t realize that this was a young adult book until I started reading it. I know that young adult is one of the most popular type of books out there, especially when it comes to speculative fiction, but they are just not my cup of tea. I find the plots often revolve too much around teenage angst, which, while great for teenagers, is not too interesting to me. Too often the plots and character development can be a bit simplistic, as well. Daughter of Smoke and Bone is a little better than some in the plot department, but I did find the characterizations a bit ho-hum at times. I also have a problem with the romance that is usually part and parcel of this genre, and is in the forefront here. In this book, Karou is seventeen and as the book opens she is recovering from a relationship gone bad. And although I know that there are many teens out there who are involved in sexual relationships I can’t help the jarring feeling I get when I read about these when they are presented like it’s no big deal. Call me a prude, whatever.  Karou gets involved with another partner, and things get quite steamy indeed. And all the while the voice in my head is saying, “She’s only seventeen!” There are certainly a lot of “paranormal romance” books out there featuring adult characters, and while I don’t particularly like those either, when they are aimed at teenagers I find it icky.
  2. Tropes. I, for one, am heartily sick of the warrior chick with the vulnerable heart trope. Although Karou has an interesting back story and is well fleshed-out, basically her character embodies this trope. I find myself getting bored by it, to tell you the truth.
  3. The world building. So, as I mentioned above, one of the main characters is the seraph, Akiva. Seraph is short for seraphim, and yes, he is supposed to be an angel. But not an angel in the Christian tradition, of course. For, as Karou is confronted with Akiva the first time, she recalls what Brimstone has taught her:

She’d heard the word before; seraphim were some high order of angels, at least according to the Christian mythos, for which Brimstone had utter contempt, as he did for all religion. “Humans have gotten glimpses of things over time,” he’d said. “Just enough to make the rest up. It’s all a quilt of fairy tales with a patch here and there of truth.” 

Ok, fine. Let’s dismiss all of religion, except use bits and pieces of it where convenient for the plot. And it is very convenient to have an utterly beautiful otherworldly being with wings and supernatural power for Karou to fall in love with.

I realize for the average reader, this dismissal of religion in general and Christianity in particular would not be a problem, but it irritates me.  Especially when it has to be dismissed to make a major part of the story work, as in this case. And doubly especially when the author dismissed all of the world’s religions as “myths” and then runs smack into the problem that her characters actually need some kind of religion or mythos of their own to make the story work. So, when Akiva and Karou discuss how Brimstone makes his wish-beads, Akiva says, in answering Karou’s question of why pain and not joy is necessary in the crafting of wish-magic, Akiva says,

“That’s a good point. But I didn’t create the system.” 

“Who did?”

“My people believe it was the godstars. The chimaera have as many stories as races.” 

Ok, so every Earth religion is a quilt of fairy tales, but the seraphim and the chimaera have their own stories and myths, which are….what? Fairy tales too? Or are they the truth behind the stories?  And if so, why?

This highlights the problem of the philosophy that says every religion is just as good as another. If it brings you comfort, go for it, in other words. Any religion will do. But if it brings you comfort and isn’t ultimately TRUE then what is the point?

This is a minor part of the plot and to be fair, Taylor builds just enough of the world of the seraphim and chimaera to make it work for the book’s purposes, which is to serve as a backdrop to the story of Karou and Akiva.

I guess what I’m saying is that sexy angels just don’t work for me.

I give this one two stars/five, with the caveat that I know a lot of people would probably like this more than I did. If you like young adult fantasy featuring Romeo-and-Juliet-type love angst, and it doesn’t bother you that a handsome, poster-boy angel is the love interest, you will probably like this book.

Next month: A book I’ve already read. Oh, so many to choose from! Tune in on the last Friday in the month of May to see my pick. 


 Other posts in this series: 

January: Book I Read Because of the Cover

February: Book I Was Excited to Buy or Borrow But Haven’t Read Yet

March: An Unputdownable Book

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