2017 Reading Challenge: Cover Crush!

Here I am at the first book of my (fun) 2017 Reading Challenge, which I got from the Modern Mrs. Darcy blog. I don’t suppose that the books have to be read in any certain order, but because I only had about a week and a half to read the first book of the year if I wanted to get one read in January, I didn’t have a lot of time to fuss around.

So I figured the easiest one to pick would be the first one on the list: a book I read because I liked the cover.

Now,  caveats abound on this one. First of all, I live in a small town, and I don’t have a book store to visit. And although there are a small selection of books in a few stores around town it seemed to me easiest to go to the library and pick a book from there. However, I quickly realized this was not such a great idea. I don’t know about your library, but mine is fairly small, and most of the books are lined up on the shelves, with a few scattered here and there on the tops of the bookcases or in special displays. And who’s got time to go through all the books on the shelves to look at their covers and find one I like? Not me! Although I did briefly flirt with the idea of picking the spine I liked the most….but that’s not really fair. Not a lot of books have much happening on the spine, although I will admit to being intrigued by a couple. So I limited myself to picking a book from the ones displayed in the library.

Secondly, even with the limited selection available, I got bogged down. I would find a cover I liked, but the description didn’t intrigue me. I realize that perhaps to stick with the letter of the law on this one I could have picked one of those, but with the short time I had to get it read, I just couldn’t pick a book I would have to force myself to read. So, it had to be a book with a cover I liked and that I thought I would enjoy.

Even so, this was a fun exercise. Without further ado, here is my choice for the book I read because I liked the cover:


This one was sitting with a few others on top of the bookcase set aside for sci-fi/fantasy, and it attracted me right away. Ok, first of all because it was on top of the fantasy section, but the black and white picture with the hints of green drew the eye. The cityscape with the tunnel (?) underneath hinted at some subterranean goings-on, and I like stories about other worlds or civilizations under our own, found in the forgotten tunnels of subway systems or abandoned cellars or whatever.

The clincher for me was the man in the overcoat with a gun in one hand and what looked like a wand or stick in the other – probably a wand, due to the intriguing symbols spurting out from it.

Man in overcoat, city scape, a possible magic wand…oh, this was ringing all my Harry Dresden bells, and I love me some Harry Dresden! And when I picked up the book to look at it more closely, I saw to my delight I was right. You can see the byline on the top: “A potent mix of gangsters and magic…” (unfortunately the rest is cut off, but that’s enough to hook me).


This is my favourite Dresden cover. Also mainly black and white. There seems to be a pattern here…

The description on the back begins:

Mick Oberon may look like just another 1930s private detective, but beneath the fedora and the overcoat, he’s got pointy ears and he’s packing a wand. Among the last in a line of aristocratic Fae, Mick turned his back on his kind and their Court a long time ago….

Oh, I was definitely in now. The Dresden similarities are many, of course, but I liked the 1930s twist and I especially liked the fact that this private eye is an exiled Fae, not a wizard. You might say I have a thing for stories featuring the Fae hiding among humanity, it’s the premise of my own novel.

Besides historical fantasy, urban fantasy is one of my favourite genres, so I took this home happy to delve into it and see if I enjoyed it as much as I thought I would.

And in a word, yes!

Oberon is a PI in 1930s Chicago, and he is given the case by a mobster’s wife to find her daughter, her real daughter, that is, because it is quickly becoming evident that the girl she thought was her daughter is actually a changeling – some kind of Otherworldly creature swapped for her real daughter at birth. The changeling is 16 now and starting to, well, change, and Mrs. Ottati wants her real girl back.

So really, it’s a historicial urban fantasy. I really couldn’t go wrong, could I?

Just like in the Dresden books, in this book most humans don’t know that they are occupying Earth with various supernatural creatures, but there are some who do, including the Ottati family, whose matriarch is a foreboding witch who, as it turns out, has her own reasons for aiding Oberon in his task.

The story is a great deal of fun, as we follow Oberon through the underbelly of 1930s Chicago, mobsters and all. The case is tricky, and he ends up having to go to the Otherworld to get some help and in the process ends up owing a favour to the Unseelies, which you know will come back to haunt him someday.

The book is firmly set in 1930s Chicago, referencing real-life figures such as Al Capone. Mick uses a lot of slang from that time period, which can be a bit confusing, but I didn’t mind it, as it helped to ground the story in that time period.

Through the first part of the book I thought that I was actually reading the second book of the series, as there was obviously a lot of backstory that Oberon hints at but isn’t explained. This was driving me slightly crazy as I really, really hate not starting at the beginning of a series (or a TV show, or whatever. Ask my hubby how many times I have forced him to rewind to watch the first minute of a movie that really didn’t matter anyway, but hey. It’s how I roll.).

It got to me enough that I had to stop part way through and find out how many more books came before this one, and lo and behold this is the first of the series. The Dresden books are like this a bit, too, there’s a lot going on before the first book that is eventually filled out in subsequent novels.

And speaking of Dresden comparisons, which you can’t really help, the one thing that I didn’t like much about this character and the magic system was his wand. It makes sense that Dresden has a wand (well, ok, a staff) because he is a wizard. But Oberon is Fae. Why does he need a physical object to do his “magic” – which mainly consisted of stripping or enhancing people’s (or his own) luck in order to make events move more or less smoothly (someone might trip when they are running after him, for example)?


This is another cover for the book, from GraphicAudio. I don’t like this one nearly as much. You can see the pointy ears under his hat, but the coat’s belt makes it look like he has a tail. The tag line “A Mick Oberon Job” is bigger than the title. The whole thing is a bit messy, in my opinion.

I like the way the Marmell toyed with the Fae mythology and included glamour, and the twisting of luck, and their connection to the nature as part of the magic system. I think he could have gone further with this, though, to make it more Fae-like and less wizard-y.

There’s a references to vampires and a policeman friend of Oberon’s seems to be a werewolf (but this is just hinted at), but other magical creatures,  except for those familiar to English folktales such as kelpies, pixies, leprachauns and the like, do not appear in this story. So I’m not really sure why they are even mentioned, although I suppose they might come in handy for future books.

One other small negative – the language is a little rough at times. Quite a lot of f-bombs, especially from one of the mobster characters. It jarred me a bit. Aside from the profanity, was that word used commonly as a swear word back then? I suspect that it possibly wasn’t, but I’m not certain on that, so I’ll hold off judgement on the historicity of it.

I give this book three stars (out of four). I don’t mind that it’s a Dresden wanna-be, but in my opinion the author could have branched out a little further from the Dresden template and done a little more with his world to make it (and his hard-boiled wise-cracking main character) stand out a bit more from Dresden’s Chicago other than move it back to the 30s as opposed to Dresden’s present-day setting.

There’s three books in the series so far. I liked this one enough to pick up the next one to see how it unfolds. A fun historical urban fantasy read, and there’s nothing wrong with that!


Elves and Fairies and Yokai, Oh My!

“Go not to the Elves for counsel, for they will say both no and yes.”

 – J.R.R. Tolkein

Elves are fascinating creatures of legend, and their roots go deep into our history. And when I say “our”, I mean collective mankind, for although we may think that the concept of elves is a Western European one, you can actually find elf-like creatures in most of the world’s mythology. In the Norse and Germanic cultures they are alfar, supernatural beings having great beauty and long lives, sometimes helping humans, sometimes hindering them. These are the Tolkein elves,for the most part, which is not surprising, as his LOTR saga was based on Norse mythology.

Many legends of elves speak of the Trooping of the Elves, a mysterious night trek of a long line of elves, and woe to the human who spies them! This is referenced in Lord of the Rings, the long march of the Elves as they leave Middle Earth... picture from WikiCommons

Many legends of elves speak of the Trooping of the Elves, a mysterious night trek of a long line of elves, and woe to the human who spies them! This is referenced in Lord of the Rings as the march of the Elves as they leave Middle Earth…
(Photo: WikiCommons)

Fairy rings are said to be the result of fairies dancing on the grass, leaving behind...well, mushrooms, I guess. Fairies are another form of elves, but usually small, with wings. Think Tinkerbell....

Fairy rings are said to be the result of fairies dancing in a ring on the grass, leaving behind…well, mushrooms, I guess. Fairies are another form of elves, but usually small, with wings. Think Tinkerbell…. (photo: WikiCommons)

The Celts elves were different; usually smaller creatures, living in barrows or in the Otherworld. Brownies, goblins, and sprites and the like were the Celtic “others”, the human-like creatures who lived alongside humans, generally causing some mischief of a greater or lesser fashion. But there were other elf-like creatures among the British Celts, too. The Irish had the aes sidhe, the Welsh, the tylwylth teg. Again, they were not seen to be particularly helpful to mankind, and one had to be careful not to be cursed or tricked by them. After the onset of Christianity, the stories of elves (which comes from the Saxon word ælf) took another twist. They were described as some of the angels who sided with neither Lucifer nor God during Lucifer’s great rebellion, and so were cast down by God not to hell, but to earth. No longer angels, but not demons either; something in-between. And again, because of this ambivalent nature, encounters with them were frought with danger – they were just as likely to curse you as to bless you.

Other non-European civilizations had elf-like beings in their mythologies. One could make an argument that the Arabic jinn could be their equivalent of our elf; a tricksy human-like creature with whom of whom you must be wary, especially when you make bargains with them. Aladdin’s “genie” is of this ilk – the word “genie” is the Anglicized form of jinni.  In Latin America we find the duende, a goblin-type creature who either lures people into the woods or helps lost people out of the woods, depending on which tale you hear. In Japan you find the yokai, who can appear in human form, and again, are either malevolent or beneficent.

Alladin and his genie...err, jinni....in Lego! Photo: Jerry Daykin, on Flickr

Aladdin and his genie…err, jinni….in Lego!
(Photo: Jerry Daykin, on Flickr)

A Japanese yokai Picture from Wikicommons

A Japanese yokai
(Picture from WikiCommons)

Interesting, isn’t it, that every culture seems to have stories about these kinds of creatures, the “others” who are like us, but not like us. And in every case they are untrustworthy beings at best, and downright dangerous at worst.

I think the universality of these stories is one reason why elves are so popular in fantasy books and films. Every culture has a mythology which includes these types of beings, and seeing them come to life in a well-told story brings a delicious shiver of familiarity down our spines.

Another reason, from the author’s point of view, is that they are quite fun to write. Anytime you can get a character who is sly, slippery and not to be trusted, you can find all kinds of good story lines. Add a little magic, and the writer has some great elements to make his or her story much more interesting.

The downside is that elves nowadays are seen as a trope – a tired old element of fantasy stories that no one wants to read about any more. Kinda like the grumpy dwarves, the shimmering unicorns, the magician with the pointy hat. Boring. I mean, how can there be anything new to write about in stories of elves?

So, as a writer, you either have to present the tried and true elf in your story and make the story so good that people love to read it anyway, (which is really the goal whether you have elves or any other trope in it or not, but even more so if you do!) or you have to think of a different way to use them in your story.

It’s a fun challenge. I have tried to do that in my books, to come up with a slightly different explanation for the origins of these creatures, to think of a plausible reason for why elf-legends can be found in every culture.

If you want a little teaser….check out “A Sign” , which is a chapter of Wilding, my first book in my Traveller’s Path series. This chapter is the introduction of my main antagonist for the first book, a Pictish nobleman named Nectan, who also happens to be the King of the Seelie Fey…..