YOFR: Way of Kings, by Brandon Sanderson

This month’s category for the Year of Fun Reading Challenge was to read a book you don’t want to admit you’re dying to read. I was a bit stumped by that one, so I decided to tackle a different challenge off of the Reading for Growth list: a book that has more than 600 pages. The Way of Kings (published in 2010), by Brandon Sanderson, certainly fits that bill, with 1584 pages!

Unknown

I’ve been wanting to read this one for a long time, so this gave me a good reason to dive in. I hoped that I would have more reading time to get this done, especially during my vacation. Unfortunately (or fortunately) we spent a lot of time walking around Montreal and Old Quebec City and visiting with friends in Ontario and I had hardly any time to read.  I had only made it to about half way through by three days before this review was to go live. Yikes!

So…I had to give up my end-of-month deadline and give myself some grace. Sorry I didn’t have anything up on the blog last week, things got a bit hectic and I just ran out of time.

Anyhow, September is here (!) and it’s a new start. Onward and upward! I’ve powered through and got the book done.

For those of you who don’t know, Brandon Sanderson is a mega-best seller fantasy author, who was picked by Robert Jordan’s widow and editor to finish the Wheel of Time series that was incomplete because of Jordan’s death. They picked him because they were very impressed with his first novel, Elantris, also an epic fantasy. Sanderson is a prolific writer, known for his long epic fantasy books,  but also writes shorter fantasy novels and novellas.

I have never read any of his books, but I really wanted to, as he writes the kinds of books I enjoy. He also is one of the hosts of the Writing Excuses podcast, which has been really good for me as a writer.

An epic fantasy (some use the term “high fantasy” interchangeably)  is generally a fantasy book set in a world not our own, with a hero  who usually begins the story young and matures throughout the novel; has some kind of magical power or extraordinary ability;  has a mentor/teacher; and is fighting against some powerful “dark lord” or force. This is a swords and sorcery type book, often with a vaguely medieval-ish setting. Very much a traditional type of fantasy novel. Think Lord of the Rings and you are on target.

I love big books with a long, drawn-out story line. And Sanderson certainly delivers that in this book. This is a sprawling epic focussed on Kaladin, a young man from a backwater town who becomes a surgeon and then a warrior, a bit of a reluctant hero but a hero all the same.

I will admit, however, that I struggled at the beginning of this book. It’s been a long time since I read an epic fantasy, because I just don’t have as much time to read as I used to. And I found the beginning difficult to get into. It’s confusing because there are many point of view characters, and chapters that switch back and forth between characters, settings, and timelines. It’s hard to keep up. The chapters are all headed by seemingly random quotes from books that one supposes are part of the culture Sanderson is building for us, along with notes that comment on the quotes. But I couldn’t figure out what they had to do with anything or how it was supposed to enhance the story.

So until I got a handle on who was who and what they were doing, the story line was very disconnected and distracting for me, and I honestly had to plow through about a third of the book before I began to really get interested in it.

However, once I finally began to see how the characters were related to one another and to settle into the world that Sanderson built for us, the book started to take off for me.

d17f1072520915920870474e9e4a47f4--king--way-of-kings

One of the cool drawings included in the book. One of the drawbacks of reading it on my Kindle was that I had a hard time seeing the details in these drawings, and the map was also too small to make out details. But a small price to pay for not having to lug a huge book around! Illustrations in the book, as well as the cover, are done by the talented Michael Whelan.

I had heard that one of the strengths of a Sanderson novel is the world-building, and I certainly saw that here. His world of Roshar is a detailed one, including many cultures and people-groups, all with varied religions and appearance. The world is scoured by highstorms, which shape the landscape and the flora and fauna that populate it, as well as the architecture and culture of the people who live there. The magic system is based on “stormlight”, a force that infuses gemstones during a highstorm. This stormlight can power mundane objects such as lights or more dramatic objects such as the Shardplate that only a few high-ranking soldiers wear, which make them much stronger and more agile than other men, along with the Shardblades that kill with merely a touch.

Kaladin begins the novel as a young darkeyed son of a small village’s surgeon, and through the course of the book we see him mature, eventually going against his father’s wishes and becoming a spearman in the army of a lighteyed noble (the lighteyes are the upper class of nobility), whom he had idolized as being honourable but in reality turns out far from it. He joins the army to protect his younger brother, who is soon killed through a callous decision of the lighteyed commander, and Kaladin finds himself becoming more and more disillusioned by the lighteyes who pretend to be honourable but in reality are not.

Kaladin eventually finds himself in the lowest of the low positions in the army, that of a bridgeman, who along with a crew of about thirty others are responsible for carrying and setting the heavy bridges that the armies cross over between high plateaus on the Shattered Plains, where a long, pointless war has been raging for over a decade.

Dalinar Kholin is a lighteyed commander who seeks to be the honourable man the ancient book, called The Way of Kings, encourages them to be, but faces betrayal both within and without, for he begins to have disturbing visions during every highstorm that puzzle him, causing him to question his sanity.

On a different continent, a young woman named Shallan is plotting to steal a device called a Soulcaster which enables the wearer to transform and shape objects, such as to cut stone in order to build a fortress or even to change rocks into food. Shallan needs the device to help her family restore their lost wealth, which her now dead father had mismanaged.

Sanderson’s characters are interesting. He resists the temptation to people his book with stock fantasy characters with one-dimensional personalities (although there is a little of that here and there. With so many characters it’s hard to avoid that all together). His main characters feel like real people, and he explores themes of power and honour, religion and faith, with more depth than I was expecting, which made the book all the more satisfying.

The Way of Kings consists of  one prelude, one prologue, 75 chapters, an epilogue and nine interludes (you see what I mean about finding it hard to get into?). The three characters above had the most space in the book, but there are three more main viewpoint characters and nine minor viewpoint characters who also get some of their story included.

So a lot going on in the book, suffice to say!

I enjoyed Way of Kings, once I got into it, but that initial part was pretty daunting to tell you the truth. I’m not sure that I would have kept going except for the fact that I knew I was going to be writing this review. However, I am glad I did. The story was a good one, and it reminded me why I enjoy epic fantasy. There’s something about getting totally immersed in a world and taking a long time to get to know the characters and watch them grow that is satisfying to me.

The Way of Kings  is the first of ten books in the Stormlight Archive series (!). Only one other has been released,  Words of Radiance, in 2014. Oathbringer, the third book, is to be released in November of 2017. I liked Kings well enough that I would definitely like to read the others. But seeing as they all clock in at over 1000 pages, I’ll have to pick my reading time carefully.

I often find that authors who try to write that many books in one series can get bogged down, with the latter books not being nearly as good as the first two or three (Game of Thrones, anyone….?) So it remains to be seen if Sanderson can buck that trend.

Maybe over Christmas I can read the second one? We’ll see…


My rating: 4 stars out of 5. Just because the beginning was a bit painful. But worth it to keep going!

 

Advertisements

YOFR: A Book of Any Genre That Addresses Current Events

This month I got more bang for my buck by choosing one book that would actually fit on both of the lists on the Modern Mrs. Darcy’s Reading Challenge. This month on the Year of Fun Reading Challenge (YOFR) I was supposed to read a book of any genre that addresses current events. But the book I chose, Company Town, by Madeleine Ashby, also would fit under the Reading for Growth Challenge, under this month’s category of a Genre I Usually Avoid, as it is science fiction. Although I can enjoy SF at times, it’s not one of my go-to genres.

However, Company Town is pretty soft science fiction, which is the way I like my SF, generally. So it’s not too far outside of my comfort zone.

Unknown-2

I picked this book for a number of reasons. First of all, in my quest to try to read more Canadian spec-fic authors (sparked by my verrry slow Book Bingo challenge from last year), this one, shortlisted for CBC’s 2017 Canada Reads competition, fit that bill. Secondly, it’s speculative fiction. Thirdly, it addresses current events.

Sort of. Company Town is set in the near future, in a town located off the east coast of Canada called New Arcadia which has been completely bought out and taken over by an oil company, whose rigs provide the main source of wealth in the town. In fact, the rig pretty much IS the town. The protagonist is Go-Jung Hwa, the only person in New Arcadia who does not have any bio-engineered enhancements, and that makes her difficult for others with enhancements to see. This, along with her expertise in self-defence, comes in handy in her job as a security guard, and she is hired to protect the son of the multi-billionaire owner of the oil company that owns the town.

This was all I knew about the book before I read it. I don’t like to know too much about a book going in, which sometimes is not the best strategy. You can see that from how often I have been surprised by a book being YA when I wasn’t expecting it. This one, thankfully, is not.

I picked it because I thought it was going to explore the oil industry, and where it might be going in the future.  I live in Alberta, where the oil industry is one of our major sources of income, and where there is considerable debate about its merits. I thought this book might address that in an interesting, fictional way.

Well, not so much. The book doesn’t discuss the pros and cons of the oil industry or our reliance on fossil fuels (which I admit I was rather glad about) but it does address other current issues such as the place of technology in our lives and where it might be leading us. That threw me for a loop, but once I realized it wasn’t really about the oil industry at all I readjusted and quit trying to find that thread in it. The casual acceptance of the bio-enhancements portrayed in the book was certainly food for thought, and frighteningly very plausible.

The book also speaks to the power of big corporations and their hold on ordinary people. The portrayal of both the oil company which holds all the purse strings in the town and is playing fast and loose with the truth of what it is actually developing under the water and the invasiveness of the bio-enhancements which people add to themselves to “keep up with the Jones'” has a lot to say about the power of greed, unbridled capitalism, and the effects of those on ordinary people who just want a job to go to and to be successful in their lives.

The book doesn’t hit you over the head with these themes, though, which I appreciate. It is basically set up as a murder mystery, with Hwa trying to solve some unsettling murders which all seem to be related to a threat faced by her teenaged charge.

I have mixed feelings about this book. On the positive side, Ashby is a strong writer technically, and she had an interesting idea. I loved the Canadian setting, and the near-future, gritty,  cyber-punky feel to the book. I liked the main character for the most part. Even though she would definitely fall under the category of “warrior-chick” which I get so tired of, Ashby fleshed her out enough that she is interesting and relatable.

However I did struggle reading it at times. It always takes awhile to settle into the world of any fantasy or science fiction book, so I tried to ignore my niggling questions and confusion I felt at the beginning. But those questions kept popping up, and kept not being resolved, and it started to bug me the further into the book I got. The worst was the questions that surrounded Hwa. You learn early on that she has a “stain” on her face, and for some reason this makes her unsuitable for enhancements. I assume the author meant a port wine stain but wasn’t sure why this made her unsuitable, which wasn’t revealed until later when you realize her mother thought her ugly and unworthy of the expense of enhancement.

But along with the stain she has some kind of mysterious medical condition which causes seizures, and it seemed to be related to the stain on her face, or was it? Do port wine stains cause seizures? I didn’t think so but maybe they do? Or maybe this was unrelated to the stain but the way it was written made me think it was…and so you see I keep being confused about this point which kept throwing me out of the book.

The setting, the oil rig/town with the various towers was a bit unclear to me too. I had a hard time getting settled into the landscape of the book. Maybe it was just me.

I found the plot confusing at times, too. It’s basically a sci-fi murder mystery, which is fine. But there is also some romance thrown in, which is also fine, but her love interest, Daniel, seems a little too good to be true and their relationship is not really believable at times.

I think that qualifier, “at times” sums up the problems I was having with this book. It was uneven. Maybe trying to do too much? Some places the book snaps along, at others it meanders, trying to find its way. And at times Ashby resorts to stock characters to prop up plot failings, and it doesn’t work.

All these problems come into stark relief at the climax of the book, unfortunately.  I looked at the Goodreads reviews I saw others struggled with the ending too. I’m not exactly sure I understand the explanation of it all, to tell you the truth. It all felt a bit forced and out of left field.

So while I really wanted to love this book, I came away unsatisfied. It has potential, but I wish it had just a little more cohesion and a better ending.

My rating: 3.5 stars out of 5. Stellar idea and good writing, but plot needs work.

 

2017 Reading Challenge: A Book Set Somewhere You’ve Never Been But Would Like to Visit

As I work my way through the Year of Fun Reading I am finding it a bit tricky to keep my focus on finding a book that meets the category for the month as well as keeping to my own standard of that book being one in the speculative fiction genre.

This month, in which I was to read a book set somewhere you’ve never been but would like to visit, was particularly challenging. I mean, I suppose there are lots of fantasy worlds I would love to visit–Narnia, Middle Earth, or The Land (Chronicles of Thomas Covenant the Unbeliever) spring to mind– but I wanted to keep the spirit of the challenge, which meant finding a speculative fiction novel set on Earth.

So. I browsed through some of the suggested titles, and, eureka, found one I thought would fit.

Daughter of Smoke and Bone (Daughter of Smoke and Bone Trilogy, Book 1), by Liani Taylor, is  an urban fantasy, set in modern-day Prague. So, seeing as anywhere in Europe is on my bucket list of places to visit, I figured this one might just work. And I love urban fantasy, so, bonus.

Unknown

Cool cover!

Karou is seventeen and attends school at the Art Lyceum of Bohemia, a private school for students of the arts. She has blue hair and interesting tattoos, and a secret: she has been raised by  half-human creatures called chimaera, the chief of which is a demonic looking being named Brimstone.

Brimstone is the Wishmonger, who barters teeth for wishes. He is her adopted father, who has raised Karou since she was a baby. Her origins are shrouded in mystery, and she longs to discover who she is and how she is connected to the chimaera.

Brimstone’s workshop is in another place, separate from Earth, which she accesses by going through a door that is opened to her from the inside, by the Gatekeeper, Issa, who is half-snake. These portals are all around the world, and Karou uses them when Brimstone sends her on errands to collect teeth from various traders and dealers.

Karou isn’t exactly sure what the connection is between the teeth and the magical crafting of wishes, which Brimstone makes into beads of various size, shape and power, but her questions are left unanswered, as do the ones about her own origins.

An encounter with the seraph Akiva in the streets of Morocco starts a chain of events that leads Karou to the answers she seeks, even though they are not necessarily the answers she wants to hear…

tumblr_nb6eum7Id41r9fggio1_1280

I am always amazed at fan art. This picture of Karou and Brimstone was done by the talented Natalie Braconnot, on Tumblr.

Taylor is a New York Times bestselling author, with many books to her credit. This book (published 2011) is the first of a trilogy, all of which are available now. Her new book, Strange the Dreamer, which begins a new series, has just been released.

I will admit to feeling a bit conflicted about Daughter of Smoke and Bone. Taylor writes well, and the plot had enough twists and turns to keep me reading.

However….although I can see that this book would be very popular with a certain audience, I can’t say I loved it. Here’s why:

  1. It’s Young Adult. I didn’t realize that this was a young adult book until I started reading it. I know that young adult is one of the most popular type of books out there, especially when it comes to speculative fiction, but they are just not my cup of tea. I find the plots often revolve too much around teenage angst, which, while great for teenagers, is not too interesting to me. Too often the plots and character development can be a bit simplistic, as well. Daughter of Smoke and Bone is a little better than some in the plot department, but I did find the characterizations a bit ho-hum at times. I also have a problem with the romance that is usually part and parcel of this genre, and is in the forefront here. In this book, Karou is seventeen and as the book opens she is recovering from a relationship gone bad. And although I know that there are many teens out there who are involved in sexual relationships I can’t help the jarring feeling I get when I read about these when they are presented like it’s no big deal. Call me a prude, whatever.  Karou gets involved with another partner, and things get quite steamy indeed. And all the while the voice in my head is saying, “She’s only seventeen!” There are certainly a lot of “paranormal romance” books out there featuring adult characters, and while I don’t particularly like those either, when they are aimed at teenagers I find it icky.
  2. Tropes. I, for one, am heartily sick of the warrior chick with the vulnerable heart trope. Although Karou has an interesting back story and is well fleshed-out, basically her character embodies this trope. I find myself getting bored by it, to tell you the truth.
  3. The world building. So, as I mentioned above, one of the main characters is the seraph, Akiva. Seraph is short for seraphim, and yes, he is supposed to be an angel. But not an angel in the Christian tradition, of course. For, as Karou is confronted with Akiva the first time, she recalls what Brimstone has taught her:

She’d heard the word before; seraphim were some high order of angels, at least according to the Christian mythos, for which Brimstone had utter contempt, as he did for all religion. “Humans have gotten glimpses of things over time,” he’d said. “Just enough to make the rest up. It’s all a quilt of fairy tales with a patch here and there of truth.” 

Ok, fine. Let’s dismiss all of religion, except use bits and pieces of it where convenient for the plot. And it is very convenient to have an utterly beautiful otherworldly being with wings and supernatural power for Karou to fall in love with.

I realize for the average reader, this dismissal of religion in general and Christianity in particular would not be a problem, but it irritates me.  Especially when it has to be dismissed to make a major part of the story work, as in this case. And doubly especially when the author dismissed all of the world’s religions as “myths” and then runs smack into the problem that her characters actually need some kind of religion or mythos of their own to make the story work. So, when Akiva and Karou discuss how Brimstone makes his wish-beads, Akiva says, in answering Karou’s question of why pain and not joy is necessary in the crafting of wish-magic, Akiva says,

“That’s a good point. But I didn’t create the system.” 

“Who did?”

“My people believe it was the godstars. The chimaera have as many stories as races.” 

Ok, so every Earth religion is a quilt of fairy tales, but the seraphim and the chimaera have their own stories and myths, which are….what? Fairy tales too? Or are they the truth behind the stories?  And if so, why?

This highlights the problem of the philosophy that says every religion is just as good as another. If it brings you comfort, go for it, in other words. Any religion will do. But if it brings you comfort and isn’t ultimately TRUE then what is the point?

This is a minor part of the plot and to be fair, Taylor builds just enough of the world of the seraphim and chimaera to make it work for the book’s purposes, which is to serve as a backdrop to the story of Karou and Akiva.

I guess what I’m saying is that sexy angels just don’t work for me.

I give this one two stars/five, with the caveat that I know a lot of people would probably like this more than I did. If you like young adult fantasy featuring Romeo-and-Juliet-type love angst, and it doesn’t bother you that a handsome, poster-boy angel is the love interest, you will probably like this book.

Next month: A book I’ve already read. Oh, so many to choose from! Tune in on the last Friday in the month of May to see my pick. 


 Other posts in this series: 

January: Book I Read Because of the Cover

February: Book I Was Excited to Buy or Borrow But Haven’t Read Yet

March: An Unputdownable Book

2017 Reading Challenge: The Unputdownable Book

I am working my way through my 2017 Reading Challenge , albeit slightly chaotically, and this month I decided to read a book that is said to be unputdownable.

I am trying, as much as I can, to choose books that are generally speculative fiction for the challenge. I do read any genre, pretty much, but my aim is to keep this blog focussed on Dark Ages history (relates to my work-in-progress historical fantasy book), a little bit about my own personal writing journey, some short stories, and book reviews or author interviews. I don’t want to widen the scope of the blog too far, if I can help it.

Over at the Modern Mrs. Darcy blog she has some suggestions for the books on the list, and this science fiction thriller was one of them. Perfect!

27833670

This is NOT a book I would pick up because of the cover (see my first post in this Reading Challenge) but once you read the book the cover makes sense, stylistically.

Dark Matter, by Blake Crouch, was published in 2016, and is about a college physics professor, Jason Dessen, who is abducted and knocked unconscious. When he wakes, he finds himself in a place that is similar to, but significantly different from, the world he knows.

He quickly realizes that the people who greet him enthusiastically think that he is a scientist who has invented a machine that would allow him to explore other, parallel Earths, and they think he is the first person to come back to them after making such a journey. In this new world, the happy family life he has come from has evaporated. Here, he is unmarried; a driven, brilliant researcher who has is doing ground-breaking work in physics.

But that is not his life….or is it? Is the world he thought he knew not his life, and this one the true one? Who was the person who abducted him, and why? And how can he get back to the one life he wants above all others?

Oh, yes, this was unputdownable – which means that I would give myself a half hour longer here and there to keep going, because I had to find out what was going on. That’s as close to binge-reading as I can get these days. But it was a great deal of fun. It’s been awhile since I got quite so caught up in compulsive page-turning.

The physics behind the invention are a little over my head, to be honest, but Crouch does a good job of giving you just enough information to help you grasp the concept, but not so much you get lost in the weeds. For books like these, I want just enough tech-talk to know that such a thing might be possible in theory, and then I don’t worry about the hows. I do have a lot of admiration for authors who write science fiction, though, especially this type of “real world” science fiction. They have to know how it works to make it believable. I think Crouch succeeded in that task in this book.

brace-yourself-physics

“…physics ARE coming…”? Hmm…Nope. Awkward.

The great thing about this book is that it is not just a science fiction thriller. There is some  thought-provoking philosophy in the story as well. Just before he gets knocked out, his abductor asks Jason, “Are you happy with your life?” This  question is the foundation of the book in many ways, and it is one that we ponder about our own lives as we see Jason’s attempts to get back to the life he wants.

The book also forces you to look at the consequences of the choices we make every day: to date that person or not, to take that job or not, to give up that opportunity for career advancement at the cost of your family life, or not. In the book Jason gets to visit several different versions of himself and the life he could have had, and it makes us wonder about what those “other” lives would be like in our case, as well.

Technically speaking, from a writing point of view, for the most part I had no issues with Crouch’s writing. He certainly knows how to keep you turning the pages! The only thing that began to wear on me after awhile was use of lots of short, choppy sentences.

For example, here’s a scene from the beginning of the book, just after Jason wakes up after being abducted and is getting debriefed about his experience.

“Let’s try a different approach,” Amanda says. “What’s the last thing you remember before waking up in the hangar?” 

“I was at a bar.” 

“What were you doing there?” 

“Seeing an old friend.”

“And where was this bar?” she asks. 

“Logan Square.” 

“Okay, can you describe…?”

Her voice drops off into silence. 

I see the El. 

It’s dark.

Too quiet.

Too quiet for Chicago.

Someone is coming. 

Someone who wants to hurt me.

My heart begins to race. 

My hands sweat.

I set the glass down on the table.

“Jason, Leighton is telling me your vitals are becoming elevated.” 

Her voice is back but still an ocean away.

Is this a trick? 

Am I being messed with?

The whole book is not like this, but there is quite a lot of it, and I did find it a bit tiresome in places. But this type of short sentence structure is one trick an author can use to keep a reader barreling through a story, and is particularly effective in this kind of thriller.

A well-crafted story, with high page-turnability, and which leaves you something to think about once you have finished. I give Dark Matter five stars.


Previous posts in this series: 

A Book I Read Because I Liked the Cover

A Book I’ve Been Dying to Read